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	<pubDate>Fri, 21 Nov 2025 20:49:33 +0000</pubDate>
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		<pubDate>Fri, 21 Nov 2025 20:49:30 +0000</pubDate>

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Renata Zas
The Curatorial



	Ways of approaching contemporary art for new audiences and platforms


	

Formas de acercamiento al arte contemporáneo para nuevos públicos y plataformas


Information
ABOUT

I SOBREARTE EN ARQUITECTURAWRITING 

I ESCRITOS



EXHIBITIONS 
I EXHIBICIONESASSESSMENT IN ART ACQUISITIONS &#124; ASESORÍA EN ADQUISICIONES DE ARTEWORK SESSIONS WITH ARTISTS

&#124; SESIONES DE TRABAJO CON ARTISTASRESEARCH / Digital anthropologyCURATORIAL SERVICES FOR COMPANIESPEDAGOGY &#38;amp; ASSESSMENT &#124; PEDAGOGÍA Y ASESORÍA
Email
Instagram

Medium
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	Ways of approaching contemporary art for new audiences and platforms

	

Formas de acercamiento 
al arte contemporáneo para nuevos 
públicos y plataformas




	
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	Exhibitions. 
Conceptualization &#38;amp; production
~Exhibiciones. Conceptualización y&#38;nbsp; producción&#38;nbsp; 

	

New strategies for art
commercialization~ Nuevas estrategias de comercialización de obras de arte 


	

Alternative pedagogy&#38;nbsp; &#38;amp; Assessment in Art Acquisitions~ Pedagogía Alternativa y Asesoramiento en Adquisiciones de Arte


	

Research~Investigación





	



Collective thinking workshops in contemporary art exhibitions: an overview of the cultural scene through a collective and horizontal group approach
Exhibitions designed to be inhabited: spaces where people can feel comfortable and spend longer than usual in a gallery or museum&#38;nbsp;

︎︎︎


Curated advisory services tailored to each client: artwork acquisitions based on individual interests, questions, concerns, and budgets&#38;nbsp;

︎︎︎


One-on-one sessions for artists: tailored to the needs of each project or annual programs (work analysis, collaborative text writing, communication of the practice, and strategies for new exhibitions)&#38;nbsp;

︎︎︎


Personalized management for individual and corporate art collections: prioritizing their mission, purpose, and what they seek to communicate

︎︎︎


	

Taller de pensamiento colectivo en exhibiciones de arte contemporáneo: un panorama de la escena cultural de forma colectiva y horizontal en grupo 
︎︎︎

Exhibiciones donde las personas pueden habitar y sentirse cómodas, quedándose un tiempo más largo del habitual de en una galería o museo

︎︎︎

Asesorías curadas para la especificidad del consultante: adquisición de obras basadas en los intereses, dudas, preguntas y presupuestos individualizados 
︎︎︎

Sesiones 1-1 para artistas basados en las necesidades de cada proyecto o proyectos anuales (análisis de obra, escritura conjunta de textos, comunicación del trabajo, estrategias para nuevas exhibiciones) 
︎︎︎

Gestión personalizada para colecciones de arte individuales y de empresas, priorizando su misión, propósito y lo que quieren comunicar

︎︎︎







contact: renatazas.zas@gmail.com

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		<title>BIO</title>
				
		<link>https://renatazaszas.cargo.site/BIO-1</link>

		<pubDate>Mon, 15 Jan 2018 21:43:26 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

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Renata Zas
AIM / PROPÓSITO&#38;nbsp;︎





	Soy curadora e investigadora de arte contemporáneo con base en Buenos Aires y proyección internacional. 

Tengo un Máster en Teoría del Arte Contemporáneo de Goldsmiths, Universidad the Londres, y he sido becaria del Programa de Artistas de la Universidad Di Tella y el Saas-Fee Summer Art Institute en Berlín.




Durante 2025 formé parte del equipo de TOMAS REDRADO ART como Managing Director.

Mi trabajo gira en torno a la colaboración y la horizontalidad.




 Desde mi inicio en el campo profesional del arte contemporáneo, estuve interesada en la colaboración
y la horizontalidad como metodologías de trabajo. Así, en 2017 fundé&#38;nbsp;Todo lo profundo ama el disfraz, un proyecto curatorial y pedagógico 

 que fomenta el pensamiento colectivo a través de visitas grupales a exhibiciones de arte contemporáneo. En 2023 sumé a mis proyectos independientes, Arte en Arquitectura:&#38;nbsp;una plataforma que combina arte y arquitectura, integrándolos

a espacios de trabajo, vivienda y ocio.






Mi trabajo personal (textos, exhibiciones, charlas y otros proyectos) conectan el arte, la filosofía y la evolución digital, centrándose en cómo ésta moldea nuestra empatía y percepción.







Mi experiencia abarca roles como asistente curatorial,
coordinadora, productora y programadora de workshops de arte para el Centro
Cultural Kirchner en Buenos Aires,&#38;nbsp; asistente de galerías (Jardín Oculto, ROLF, PASTO), de una editorial (ARTA ediciones) y una consultora de arte (MACHETE); así como asistente de
artistas y curadores en distintos proyectos (Rafael Cippolini, Eduardo Costa, entre otros).

Mis textos han sido publicados por 

Otra Parte, Lobo Suelto y Droste Effect Magazine y desde 2020, me auto-publico en Medium bajo el perfil de vulcanic_antimillenial.
Mis últimas exhibiciones incluyen: Arte en Arquitectura 

 La extraña idea de lo bello,&#38;nbsp;ZAS arquitectos (Buenos Aires, Argentina), Flavia Da Rin solo show TOMAS REDRADO ART - PINTA BA PHOTO (Buenos Aires, Argentina), Group show ARTBO – TOMAS REDRADO ART. Flavia Da Rin, Henry Palacio, Valeria Maggi, Francisco Montes - ARTBO (Bogotá, Colombia), Group show ARTEBA – TOMAS REDRADO ART. Flavia Da Rin, Carolina Magnin, Valeria Maggi, Novissimo Edgar, Henry Palacio, Julia Retz, Jessica Trosman, Maggie Petroni, Francisco Montes, Luna Sudaca, Guadalupe Reyna, Marianna Angel, Paloma Teppa (Buenos Aires, 2025); Arte en Arquitectura La Imagen Diurna&#38;nbsp; (The Investment Co., Buenos Aires, 2024), Verano (Palpa.ar, Buenos Aires, 2023-2024) e Invierno (Dub Arquitectura, Buenos Aires, 2023), I’m a real Jew Artist (Sheikob Bagels, Buenos Aires, 2021), Pozo iniciático, Santiago Poggio (Maria Casado Home Gallery, Beccar, Buenos Aires, 2021).&#38;nbsp;

	





















I am a curator and contemporary art researcher based in Buenos Aires with an international scope.

I hold a Master’s degree in Contemporary Art Theory from Goldsmiths, University of London, and I have been a fellow of the Artists Program at Universidad Torcuato Di Tella as well as the Saas-Fee Summer Institute of Art in Berlin.
During 2025, I have been part of 

TOMAS REDRADO ART 

Gallery team as Managing Director.

My work revolves around collaboration and horizontality.

Since the beginning of my professional path in contemporary art, I have been interested in collaboration and horizontality as working methodologies. In 2017, I founded Todo lo profundo ama el disfraz, a curatorial and pedagogical project that promotes collective thinking through group visits to contemporary art exhibitions.

In 2023, I added Arte en Arquitectura to my independent initiatives— a platform that merges art and architecture, integrating them into everyday life spaces such as workplaces, homes, and leisure environments.

My personal work (texts, exhibitions, talks, and other projects) connects art, philosophy, and digital evolution, focusing on how it shapes our empathy and perception.

My experience spans roles such as curatorial assistant, coordinator, producer, and art workshop programmer at the Kirchner Cultural Center in Buenos Aires; as well as gallery assistant (Jardín Oculto, ROLF, PASTO), editorial assistant (ARTA editions), art consultancy assistant (MACHETE), and assistant to various artists and curators on diverse projects (Rafael Cippolini, Eduardo Costa, among others).

My texts have been published by Otra Parte, Lobo Suelto, and Droste Effect Magazine, and since 2020, I have been self-publishing on Medium under the profile vulcanic_antimillenial.

Recent curated exhibitions include Arte en Arquitectura

–

 La Extraña idea de lo Bello (The weird idea of beauty) (ZAS arquitectos, Buenos Aires, 2026), Flavia Da Rin solo show TOMAS REDRADO ART - PINTA BA PHOTO (Buenos Aires, Argentina), Group show ARTBO – TOMAS REDRADO ART. Flavia Da Rin, Henry Palacio, Valeria Maggi, Francisco Montes. ARTBO (Bogotá, Colombia), Group show ARTEBA – TOMAS REDRADO ART. Flavia Da Rin, Carolina Magnin, Valeria Maggi, Novissimo Edgar, Henry Palacio, Julia Retz, Jessica Trosman, Maggie Petroni, Francisco Montes, Luna Sudaca, Guadalupe Reyna, Marianna Angel, Paloma Teppa (Buenos Aires, 2025); 

Arte en Arquitectura: La Imagen Diurna (The Investment Co., Buenos Aires, 2024), Verano (Palpa.ar, Buenos Aires, 2023–2024), Invierno (Dub Arquitectura, Buenos Aires, 2023), I’m a Real Jew Artist (Sheikob Bagels, Buenos Aires, 2021), and Pozo Iniciático (Initiation Well), Santiago Poggio (Maria Casado Home Gallery, Beccar, Buenos Aires, 2021).

 











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contact&#38;nbsp;renatazas.zas@gmail.com</description>
		
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		<title>ARTE EN ARQUITECTURA (AENA)</title>
				
		<link>https://renatazaszas.cargo.site/ARTE-EN-ARQUITECTURA-AENA</link>

		<pubDate>Fri, 29 Jul 2022 12:35:12 +0000</pubDate>

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an exhibition project that highlights the power between contemporary art and architecture

Inviting visitors to stay a little longer than what they usually would in a gallery or museum, feeling comfy within art






	

un proyecto de exhibiciones que pone en valor la potencia entre el arte contemporáneo y la arquitectura&#38;nbsp;


Invitando a sus visitantes, a quedarse un tiempo más largo que en una galería o museo, sintiéndose cómodos entre el arte







︎ WEB





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contact here / aquí contacto


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		<title>EXHIBITIONS &#124; EXHIBICIONES</title>
				
		<link>https://renatazaszas.cargo.site/EXHIBITIONS-EXHIBICIONES</link>

		<pubDate>Tue, 07 Nov 2017 13:33:56 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

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		<description>
	As an independent curator I have worked in different exhibition formats, both in galleries as in cultural spaces. I also designed two independent projects: Todo lo Profundo ama el Disfraz (Alternativa pedagogy inside contemporary art exhibitions) and Arte en Arquitectura (Art in Architecture).
	







Como curadora independiente he trabajado en distintos formatos de exhibiciones, tanto en galerías como otros espacios culturales. Al mismo tiempo he desarrollado dos proyectos independientes: Todo lo Profundo ama el Disfraz y Arte en Arquitectura.







P O R T F OL I O








2025
Flavia Da Rin solo showTOMAS REDRADO ART&#124; 

PINTA BAphoto, Buenos Aires

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ph Muerta de Arte



ARTBO Group show / fair booth

Artistas / Artists: 

Flavia Da Rin, Henry Palacio, Francisco Montes &#38;amp; Valeria Maggi&#38;nbsp;
TOMAS REDRADO ART &#124; 

ARTBO, Bogota

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Group show ARTEBA FAIR BOOTH

Artistas / Artists: 

Flavia Da Rin, Henry Palacio, Julia Retz, Novissimo Edgar, Carolina Magnin, Valeria Maggi, Francisco Montes, Luna Sudaca, Maggie Petroni&#38;nbsp;
 TOMAS REDRADO ART


&#124; 


ARTEBA, Buenos Aires  




&#38;nbsp;&#38;nbsp;
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&#60;img width="7087" height="4727" width_o="7087" height_o="4727" data-src="https://freight.cargo.site/t/original/i/fb02ff24662890d31e516c0127ccf790c6fa006c58adb1402854f1d9d4bac673/Copy-of-REDRADO-arteba25-ALTA-5816.jpg" data-mid="239901653" border="0"  src="https://freight.cargo.site/w/1000/i/fb02ff24662890d31e516c0127ccf790c6fa006c58adb1402854f1d9d4bac673/Copy-of-REDRADO-arteba25-ALTA-5816.jpg" /&#62;
&#60;img width="7087" height="4727" width_o="7087" height_o="4727" data-src="https://freight.cargo.site/t/original/i/c419f43310918d5edd14305b4229177229f09dd3361f37c19cf55a51098d4838/Copy-of-REDRADO-arteba25-ALTA-5809.jpg" data-mid="239901656" border="0"  src="https://freight.cargo.site/w/1000/i/c419f43310918d5edd14305b4229177229f09dd3361f37c19cf55a51098d4838/Copy-of-REDRADO-arteba25-ALTA-5809.jpg" /&#62;
ph Muerta de Arte
2024



La Imagen Diurna
Arte en Arquitectura para The Investment Company




Artistas / Artists: Andy Freire, Álvaro Godoy, Agustina Llorens, Ana López, Federico Colletta, Florencia Caiazza, Jimena Croceri, Mariana Sissia, Rita Hampton

The Investment Company, Buenos Aires, Argentina

&#38;nbsp;&#38;nbsp;
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&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/fc7d512a1d360abe13f34faf09420295db99f6f52c81b5779716de6d386c2dad/44_AenA_La-imagen-diurna_The-Investment-Co.---Latam-Financial-Services_Living-Collet.jpg" data-mid="222869367" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/fc7d512a1d360abe13f34faf09420295db99f6f52c81b5779716de6d386c2dad/44_AenA_La-imagen-diurna_The-Investment-Co.---Latam-Financial-Services_Living-Collet.jpg" /&#62;



ph Andy Freire

2023-2024
Arte en Arquitectura: Verano (Summer)


Artistas / Artists: Nicolás Mastracchio, Gonzalo Beccar Varela, Sebastián Mercado, Paola Vega, Carolina Simonelli, Celeste Leewenburg, Dani Basso &#38;amp; Estudio Florida, Luna Oks, Dallá Paracá, Alejandra Nuñez Berté, Fausto Elizalde, Juan Valenti, Elena DahnEstudio Palpa.ar, Buenos Aires, Argentina

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0fd789b7600286c7018ece05adadb4ce8a298be7730ffed5c7b40bcded983fa4/Photo-20-12-2023--20-19-48.jpg" data-mid="202480737" border="0"  src="https://freight.cargo.site/w/1000/i/0fd789b7600286c7018ece05adadb4ce8a298be7730ffed5c7b40bcded983fa4/Photo-20-12-2023--20-19-48.jpg" /&#62;
2023


Arte en Arquitectura: Invierno (Winter)
Artistas / Artists: Guido Yannitto, Federico Colletta
Dub Arquitectura, Buenos Aires, Argentina

&#60;img width="3469" height="5203" width_o="3469" height_o="5203" data-src="https://freight.cargo.site/t/original/i/4126ea6d953b2e37265d2c3cc5be95996dd5563d5f78fde971090366420d3a58/AenA-113.jpg" data-mid="184888048" border="0"  src="https://freight.cargo.site/w/1000/i/4126ea6d953b2e37265d2c3cc5be95996dd5563d5f78fde971090366420d3a58/AenA-113.jpg" /&#62;
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ph Paula Harrington




2021
 Ciclo de videos / video series exhibition

Artistas / Artists:
Ariela Bergman, Ariel Chezses, Ariel Cusnir, Lucía Harari, Gabriel Rud y Sofía
UngarSheikob Bagels, Buenos Aires
&#60;img width="2281" height="1284" width_o="2281" height_o="1284" data-src="https://freight.cargo.site/t/original/i/d3f86ab0a01700f491cac4918ab2cc195d1ccf4226d6a86dd56105cdc8d0e816/IMG_9452.jpg" data-mid="156956219" border="0"  src="https://freight.cargo.site/w/1000/i/d3f86ab0a01700f491cac4918ab2cc195d1ccf4226d6a86dd56105cdc8d0e816/IMG_9452.jpg" /&#62;
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ph Sergio Bosco + Lucía Harari




Pozo iniciático (Initiation Well)Artista / Artist: Santiago Poggio
Maria Casado Home Gallery, Beccar, Buenos
Aires.&#38;nbsp;











&#60;img width="2000" height="1000" width_o="2000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/9d2583e29bd8a07d69bbdce420ede5944a7a9a00eaa6285e9dea55487ab059a0/053_ivan-breyter_casado-home-gallery_poggio_DSC.jpg" data-mid="156960773" border="0"  src="https://freight.cargo.site/w/1000/i/9d2583e29bd8a07d69bbdce420ede5944a7a9a00eaa6285e9dea55487ab059a0/053_ivan-breyter_casado-home-gallery_poggio_DSC.jpg" /&#62;
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ph Iván Breyter



2019
Paisaje Sintético (Synthetic Landscape)

Artista / Artist: Florencia PalaciosGalería GARRA, Resistencia, Chaco (GARRA Gallery)
















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ph Lucía Bogado



 Sabe como Paisaje (It tastes like Landscape)
Artista / Artist: Diego Cibelli (IT)
 Instituto Italiano de Cultura en Buenos Aires (Italian Institute of Culture in Buenos Aires).
 



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&#60;img width="5188" height="3459" width_o="5188" height_o="3459" data-src="https://freight.cargo.site/t/original/i/08b98efdf0b842589d797987262a2d7d4884433473e7346965a02f7f58776db0/2---Copy.jpg" data-mid="156961391" border="0"  src="https://freight.cargo.site/w/1000/i/08b98efdf0b842589d797987262a2d7d4884433473e7346965a02f7f58776db0/2---Copy.jpg" /&#62;


Ph Abril Lucini


 
2015
En contra del instinto. Referencias internas (Against the Instinct. Internal References)&#38;nbsp;

Artistas / Artists: Iumi
Kataoka, Jair Jesús Toledo, Dana Ferrari y Jazmín Saidman. 
Proyecto curatorial para
el Programa de Artistas de la Universidad Di Tella, Buenos Aires (Curatorial project for the Artists’ Programme at Di Tella University).































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&#60;img width="992" height="661" width_o="992" height_o="661" data-src="https://freight.cargo.site/t/original/i/363a96374e2c7ac446e23c7749a5b3ab437e4f5d7fac8dd3510b1348f3374f8b/vista-5-sala-1_Saidman_ph-Dubner.jpg" data-mid="156961886" border="0"  src="https://freight.cargo.site/w/992/i/363a96374e2c7ac446e23c7749a5b3ab437e4f5d7fac8dd3510b1348f3374f8b/vista-5-sala-1_Saidman_ph-Dubner.jpg" /&#62;
&#60;img width="992" height="661" width_o="992" height_o="661" data-src="https://freight.cargo.site/t/original/i/ca711f418d98d8de14a6485c702a53de6795e5126f41607523b6256cab21b683/vista-4-sala-1_Saidman_ph-Dubner.jpg" data-mid="156961884" border="0"  src="https://freight.cargo.site/w/992/i/ca711f418d98d8de14a6485c702a53de6795e5126f41607523b6256cab21b683/vista-4-sala-1_Saidman_ph-Dubner.jpg" /&#62;


ph Bruno Dubner




 Zona Hadal (Hadal Zone)

Artistas / Artists: Laura Ojeda Bär &#38;amp; María Crimella. Diseñadora / Designer: Rosina
Golaz
Centro Cultural Nacional Palais de Glace, Buenos Aires (Palais de Glace, National Cultural Centre in Buenos Aires).&#38;nbsp;


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/5b9f3ebd7c98bde5bf9f165d20f9243b0845576a06a7398e450dcd763c4c8eeb/zonahadal3.jpg" data-mid="156963560" border="0"  src="https://freight.cargo.site/w/1000/i/5b9f3ebd7c98bde5bf9f165d20f9243b0845576a06a7398e450dcd763c4c8eeb/zonahadal3.jpg" /&#62;
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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/1b4228b0e3ab6bccf6436b2a7ce55ce3fdc66d9a862a76a1afac2252359bcd27/zonahadal1.jpg" data-mid="156963558" border="0"  src="https://freight.cargo.site/w/1000/i/1b4228b0e3ab6bccf6436b2a7ce55ce3fdc66d9a862a76a1afac2252359bcd27/zonahadal1.jpg" /&#62;


ph Aldo Rico





2014
Inténtenlo en sus casas (Try it at home)

Artista&#38;nbsp;
&#124;&#38;nbsp;

Artist: Stine Marie Jacobsen (Dinamarca. Vive en Berlín
 &#124;&#38;nbsp;

Denmark. Lives in Berlin). Co-curada con Leandro Martínez Depietri. Contó con el
apoyo de la Embajada de Dinamarca en Argentina

 &#124;&#38;nbsp;Co-curated with Leandro Martínez Depietri. Supported by the Danish Embassy in Argentina. At Pasto Galería, Buenos Aires, Argentina.




























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ph Leandro Martínez Depietri





4


Artistas / Artists: Carl Palm, Estocolmo. Vive y trabaja en Estocolmo / Stockholm. Lives &#38;amp; works in Stockholm; y Guido Yannitto, Salta. Vive y trabaja entre Buenos Aires y el exterior / Salta. Lives and works between Salta, Buenos Aires and overseas.
 Co-curada con 

/ Co-curater with:&#38;nbsp;Leandro
Martínez Depietri 
 Club Cultural Matienzo, Buenos Aires (Matienzo Cultural Club).


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Ph Leandro Martínez Depietri


contact here / aquí contacto



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</description>
		
	</item>
		
		
	<item>
		<title>WRITING &#124; ESCRITOS</title>
				
		<link>https://renatazaszas.cargo.site/WRITING-ESCRITOS</link>

		<pubDate>Tue, 07 Nov 2017 13:34:33 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

		<guid isPermaLink="true">https://renatazaszas.cargo.site/WRITING-ESCRITOS</guid>

		<description>

	w r i t i n g

curatorial textsreviews essaysresearch 



	&#38;nbsp; &#38;nbsp; &#38;nbsp;






Medium



	&#60;img width="560" height="455" width_o="560" height_o="455" data-src="https://freight.cargo.site/t/original/i/9c023e2a3a25be74c35ea6d1c1e4f5480575ef3cf882206d8bb83cd4af3c8273/mapamundi-medieval.jpg" data-mid="125837536" border="0"  src="https://freight.cargo.site/w/560/i/9c023e2a3a25be74c35ea6d1c1e4f5480575ef3cf882206d8bb83cd4af3c8273/mapamundi-medieval.jpg" /&#62;



	

Towards the end of 2021 and the beginnI started self-publishing my latest essays about art, philosophy and other reflections on Medium. Not all writing are about art but they all are artistic. You can find some in English and others in Spanish.

Link to Medium
A fines de 2021 comencé a autopublicar mis últimos ensayos sobre arte, filosofía y otras reflexiones en Medium. No todos los escritos son sobre arte, pero sí todos son artísticos. Pueden encontrar algunos en español y otros en inglés.








Writings about artworks, exhibitions &#38;amp; artists&#38;nbsp;&#124; Escritos sobre obras, exhibiciones y artistas



2025


Texto sobre Flavia Da Rin solo show en PINTA BAPHOTO



Texto que acompañó el solo show de Flavia Da Rin en la participación la galería TOMAS REDRADO ART. PINTA BA PHOTO, La Rural, Buenos Aires, Argentina&#38;nbsp;

︎ESP






&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/637729f2f59633962bc5bac92ebbfd34a9cf56cdb192b6eb4d28455a3384c6ae/FLyer-BA-photo-01.png" data-mid="239903104" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/637729f2f59633962bc5bac92ebbfd34a9cf56cdb192b6eb4d28455a3384c6ae/FLyer-BA-photo-01.png" /&#62;&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/952d5a48526764e4d0076684fe008662530c1b8713fb5589dfc3bad645438934/FLyer-BA-photo-02.png" data-mid="239903080" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/952d5a48526764e4d0076684fe008662530c1b8713fb5589dfc3bad645438934/FLyer-BA-photo-02.png" /&#62;






Notas sobre Salvático, Carolina Magnin en Edificio Sudamérica&#38;nbsp;
Texto para la exhibición “Salvático”, TOMAS REDRADO ART en colaboración con Edificio Sudamérica, Buenos Aires, Argentina





︎ESP



&#60;img width="2001" height="3000" width_o="2001" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4e791aba5a34b0bdbf927ffb1d013a0def9a821069b5f90bccf26b9b16ad847c/sala-BAJA-8653.jpg" data-mid="236888528" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/4e791aba5a34b0bdbf927ffb1d013a0def9a821069b5f90bccf26b9b16ad847c/sala-BAJA-8653.jpg" /&#62;



Entrevista a Maggie Petroni&#38;nbsp;Texto para la exhibición “Te extraño, te extraño”, Tomas Redrado Art en colaboración con Munar, La Boca, Buenos Aires



︎ESP 



&#60;img width="1701" height="1134" width_o="1701" height_o="1134" data-src="https://freight.cargo.site/t/original/i/080452ef0d1ae46b54f450a393ac4c592fd4bd63b6dd09de81481add5865a84b/petroni-SALA-BAJA-6152.jpg" data-mid="236888527" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/080452ef0d1ae46b54f450a393ac4c592fd4bd63b6dd09de81481add5865a84b/petroni-SALA-BAJA-6152.jpg" /&#62;


En vivencia y presencia de un Bailongo. Pinturas de Mariana Ferrari

Texto para la exhibición “Bailongo”, de TOMAS REDRADO ART en colaboración con Arthouse José Ignacio, Uruguay


︎ESP



&#60;img width="4368" height="3055" width_o="4368" height_o="3055" data-src="https://freight.cargo.site/t/original/i/b023420a08a3feaf29c291e41277cc80a61b729071b5911993aa2e7e4d901231/7IV04425-HDR-Editar.jpg" data-mid="236888529" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/b023420a08a3feaf29c291e41277cc80a61b729071b5911993aa2e7e4d901231/7IV04425-HDR-Editar.jpg" /&#62;



2024

La Velocidad de la ActividadPublicado en Medium
Texto sobre la actividad de producir, ver y hacer exhibiciones de arte contemporáneo hoy + cinco reflexiones sobre muestras del 2024: “Fundo el lápiz en las sombras”, de Daniel Alva en Galería Piedras,&#38;nbsp; “

D-Especies”, de Maruki Nowacki en OHNO Galería, “Alienígena” y “Constancia de la Especie” de Emilio Renart en Colección Amalia Lacroze de Fortabat y Galería Del Infinito
), “Tu mirada puede entumecerme, tu presencia suspenderme”, de Francisca Rey en Galería Ruth Benzacar y “Una remera no negra” de Carrie Bencardino en Galería Piedras.



︎ESP

&#38;nbsp;&#60;img width="828" height="1122" width_o="828" height_o="1122" data-src="https://freight.cargo.site/t/original/i/468d7c4a8f8f1005ee989828df692d44700790cf27de6d31cb39ac9f55660f1a/IMG_4509.jpeg" data-mid="224277412" border="0" data-scale="62" src="https://freight.cargo.site/w/828/i/468d7c4a8f8f1005ee989828df692d44700790cf27de6d31cb39ac9f55660f1a/IMG_4509.jpeg" /&#62;




Por qué comprar obras de arte / Why buying artworks?
Published on Medium

Text written from a re-sensibilizing approach to the soul, both in English &#38;amp; Spanish.
Texto escrito desde un enfoque de resensibilización con el alma, en español e inglés.&#38;nbsp;




︎ENG / ︎ESP


&#60;img width="1269" height="1908" width_o="1269" height_o="1908" data-src="https://freight.cargo.site/t/original/i/89ed72d2c8cf753dc37e5ca5c20c2b6cd33fbc06f6e2c8521dbbec9fa6dd134e/Carl-Palm_Guido-Yannitto-2014--ph-Carl-Palm.jpeg" data-mid="206013680" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/89ed72d2c8cf753dc37e5ca5c20c2b6cd33fbc06f6e2c8521dbbec9fa6dd134e/Carl-Palm_Guido-Yannitto-2014--ph-Carl-Palm.jpeg" /&#62;



2023
Untitled. After PandemicPublished on Medium

Text written about digital anthropology and the mutation of our sensitive &#38;amp; empathic capactities due to the on-going digital evolution, after 2020 Pandemics. 




︎ENG

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8d65d618b7ca698e1b3508774cccd3f5a91ed02f3afaed1ee70b02066a32aa9c/Skinship--Nichola-Wong--2014_5.png" data-mid="181852672" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/8d65d618b7ca698e1b3508774cccd3f5a91ed02f3afaed1ee70b02066a32aa9c/Skinship--Nichola-Wong--2014_5.png" /&#62;
 



2022
A Blurry CategoryPublished on Medium
Text written about decolonization &#38;nbsp;


︎ENG


&#60;img width="500" height="495" width_o="500" height_o="495" data-src="https://freight.cargo.site/t/original/i/7d4d567f5832c6876c0ebd03a545e47439d9eddf49523695b0576b3d57fdb26c/Santiago-Poggio--mesa-de-trabajo--2009.jpg" data-mid="209033245" border="0" data-scale="67" src="https://freight.cargo.site/w/500/i/7d4d567f5832c6876c0ebd03a545e47439d9eddf49523695b0576b3d57fdb26c/Santiago-Poggio--mesa-de-trabajo--2009.jpg" /&#62;




2021



A response by Renata ZasPublished on Art Reviews 2021, curated &#38;amp; edited by Lene Vollhardt

Art Exhibition Reviews 2021 has started at the turn of the year with the
desire for a proof-of-celebration in spite of this discontinued experience of
Art as a social phenomenon. It became a triangulated lovestory between
viewer, artist, and the spaces we share. It is an attempt on the avowed neutrality of that space.
Initiated through a request to thirty individuals from various fields of Art to
write a review of an exhibition of 2021 in the broadest sense, this collection
of texts mines the multiple exit points the experience of Art provokes.︎ENG

&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4f476d11d65380425a40d0bb4ae419362106d6250ecdba8d66531d30a9531524/Cover.jpg" data-mid="179541861" border="0" data-scale="40" src="https://freight.cargo.site/w/960/i/4f476d11d65380425a40d0bb4ae419362106d6250ecdba8d66531d30a9531524/Cover.jpg" /&#62;
 


&#38;nbsp;




Alerta Spoiler / Spoiler alert
Exhibition text for Santiago Poggio’s exhibition (”Pozo iniciático” / “Initiation Well)
 at Maria Casado Home Gallery, Beccar, Buenos Aires, September 2021



︎ENG / ︎ESP



&#60;img width="3542" height="4584" width_o="3542" height_o="4584" data-src="https://freight.cargo.site/t/original/i/07b1107954a4670febf96e9e1e56cb3d5d7b528fae95c206709abd164818bd37/uas.jpg" data-mid="117500628" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/07b1107954a4670febf96e9e1e56cb3d5d7b528fae95c206709abd164818bd37/uas.jpg" /&#62;





Una Pasarela en llamas / Runaway in flamesCuratorial text for Martin Bonadeo’s project intervention, “Ensayos para la Paz” / “Rehearsals for living in Peace” at Av. 9 de julio in Buenos Aires, Argentina, June 2021


︎ESP / ︎ENG






&#60;img width="1280" height="719" width_o="1280" height_o="719" data-src="https://freight.cargo.site/t/original/i/505caee1841c3982cb8ac6652b5fd8ad59892e4a4d2cb0d69693e18e2525403f/11.jpeg" data-mid="117500947" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/505caee1841c3982cb8ac6652b5fd8ad59892e4a4d2cb0d69693e18e2525403f/11.jpeg" /&#62;



&#60;img width="1280" height="719" width_o="1280" height_o="719" data-src="https://freight.cargo.site/t/original/i/4f0202dd404e82b80cf5b10c531e124b224f4341e7dc8fff8027de2b5a6adea2/4.jpeg" data-mid="117501250" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/4f0202dd404e82b80cf5b10c531e124b224f4341e7dc8fff8027de2b5a6adea2/4.jpeg" /&#62;




Este texto está dirigido a Latinoamérica IIArt critique essays written in Spanish for the Latin American and Argentinian Contemporary Art Art Scene. Ensayos críticos de arte para la escena del arte contemporáneo latinoamericano y argentino


︎ESP




&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/94cfc73f6df6b67a042c73c062355fb5a1240a2f538b279ae953eba16cdacce8/charlysaynomore.jpg" data-mid="209033404" border="0" data-scale="53" src="https://freight.cargo.site/w/500/i/94cfc73f6df6b67a042c73c062355fb5a1240a2f538b279ae953eba16cdacce8/charlysaynomore.jpg" /&#62;











Este texto está dirigido a Latinoamérica II
Art critique essays written in Spanish for the Latin American and Argentinian Contemporary Art Art Scene. Ensayos críticos de arte para la escena del arte contemporáneo latinoamericano y argentino

︎ESP

&#60;img width="888" height="1200" width_o="888" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5d95d704e94204d48fa66e5ac26d897985cdadfc6c98a65fe54e840272181f51/IV310.-Ivana-Vollaro.-Sin-titulo.-Serie-To-vip-or-not-to-vip-2013.-Fotografia-digital.-50-X-37-cm-Edicion-3-de-5-P.A..jpg" data-mid="209033394" border="0" data-scale="51" src="https://freight.cargo.site/w/888/i/5d95d704e94204d48fa66e5ac26d897985cdadfc6c98a65fe54e840272181f51/IV310.-Ivana-Vollaro.-Sin-titulo.-Serie-To-vip-or-not-to-vip-2013.-Fotografia-digital.-50-X-37-cm-Edicion-3-de-5-P.A..jpg" /&#62;






2020
Writing about a dematerialised work I´ve never seen / Escribiendo sobre una obra de arte desmaterializado que nunca vi

Essay inspired by Mariana Telleria’s installation, “Las Canchas de Paddle, los Cybers y Ahora yo” / “Paddle Courts, then Internet Cafés and Now Myself”, at Espacio Calyfornio. Curated by TINI (Titularidad No informada), Buenos Aires, October 2017-2020


︎
ENG / ︎ESP

&#60;img width="4726" height="3130" width_o="4726" height_o="3130" data-src="https://freight.cargo.site/t/original/i/a0b1e746dd2698424c4ed734514316e3cb4aa6941e4a898536ac43e2bc1ad2cf/5.jpg" data-mid="117500982" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/a0b1e746dd2698424c4ed734514316e3cb4aa6941e4a898536ac43e2bc1ad2cf/5.jpg" /&#62;


Nos reconocemos
Short essay in Spanish inspired by Jorge Pomar exhibition project “Punto de encuentro” during quarentine 2020 / Breve ensayo inspirado en el proyecto de exhibición del artista Jorge Pomar, “Punto de encuentro” durante la pandemia 2020
︎ESP




&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/23895b6b961eaa71a4fd865b1fec97fd527f4443356295564af1b49cc2187f7a/Copia-de-IMG_2032.jpg" data-mid="117501055" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/23895b6b961eaa71a4fd865b1fec97fd527f4443356295564af1b49cc2187f7a/Copia-de-IMG_2032.jpg" /&#62;




Gilles Jobin,_VR_I _2018 - now
Published on Medium


Short essay inspired by Gilles Jobin artwork “VR_I”, seen at Istituto Svizzero, Rome, 2018.&#38;nbsp;
︎ENG / ︎ESP 




&#60;img width="920" height="838" width_o="920" height_o="838" data-src="https://freight.cargo.site/t/original/i/83048fe6669fd5079fb2098e860c29479f0ca3b056b60a2e9406909dc70555fc/jobin-vr-4.jpg" data-mid="117501090" border="0" data-scale="96" src="https://freight.cargo.site/w/920/i/83048fe6669fd5079fb2098e860c29479f0ca3b056b60a2e9406909dc70555fc/jobin-vr-4.jpg" /&#62;





Binary Drawings

Fragments of a longer text written about Florencia Caiazza’s series “Binary Drawings” &#38;amp; “Color Municipal” (2016-2020)
︎ENG + ESP


&#60;img width="2939" height="2991" width_o="2939" height_o="2991" data-src="https://freight.cargo.site/t/original/i/feecabb5fe3de7410b555fa90a7e282c2ac4932633c03d0ffb47a1e51ad127f2/Florencia-Caiazza.jpg" data-mid="117501115" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/feecabb5fe3de7410b555fa90a7e282c2ac4932633c03d0ffb47a1e51ad127f2/Florencia-Caiazza.jpg" /&#62;





2019

How to Make Sense of a Life Surrounded by Cognitive Mining? Comissioned essay for Veronica Draexler’s catalogue, “Post-Everything Ritualism and Hypernaturality”, for her exhibition at GEDOK, Munich, Germany, October 2019

English Catalogue  / Español PDF









&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/4ee565d2145d7d9c446ce25b653f9f5a167b806240e4758660f825a81598e0a7/20_Post-Everything.jpg" data-mid="118452933" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/4ee565d2145d7d9c446ce25b653f9f5a167b806240e4758660f825a81598e0a7/20_Post-Everything.jpg" /&#62;

Fibers. Skin, Voice and Earth 



Text related to my investigation digital anthropology and how our sensitive and empathic capacities are mutating due to the ongoing digital evolution, inspired by Florencia Caiazza’s knitting workshop and a trip to the countryside. This essay was published at Droste Effect Magazine (Torino), in July 2019.&#38;nbsp;

Editor in chief: Vincenazgo Estremo. Project manager Matilde Soligno. Edition: Matilde Soligno.


English Droste Effect 20 / EspañolPDF 





&#60;img width="2736" height="4864" width_o="2736" height_o="4864" data-src="https://freight.cargo.site/t/original/i/8984254d335b34f458f5ce4f950a48bb8b26ee730b434074157b7222dcaf5ec0/Horse-eating-grass-at-Mike-s-house--San-Rafael--Mendoza--Argentina..jpg" data-mid="117502198" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/8984254d335b34f458f5ce4f950a48bb8b26ee730b434074157b7222dcaf5ec0/Horse-eating-grass-at-Mike-s-house--San-Rafael--Mendoza--Argentina..jpg" /&#62;


Paisaje Sintético

Texto curatorial para la exhibición de Florencia Palacios, “Paisaje Sintético” en galería Garra, Chaco, Agosto 2019

Español PDF / English&#38;nbsp;PDF

&#60;img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/0f855c36138800e6027316cc124c7db85e8917aca62d8f9fb723e3dc47033f44/DCS_6027.jpg" data-mid="125835553" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/0f855c36138800e6027316cc124c7db85e8917aca62d8f9fb723e3dc47033f44/DCS_6027.jpg" /&#62;

Sabe como Paisaje


Texto curatorial para la exhibición del
artista Diego Cibelli, “Sabe como Paisaje”, en el Instituto Italiano de Cultura en Buenos Aires,
Argentina, Mayo 2019




Español PDF / English PDF




&#60;img width="4240" height="2384" width_o="4240" height_o="2384" data-src="https://freight.cargo.site/t/original/i/2135dea870bea1d867fd738eeaf688ce8fb9c50c622bd26b735f65d98af3f033/14.2.JPG" data-mid="117506289" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/2135dea870bea1d867fd738eeaf688ce8fb9c50c622bd26b735f65d98af3f033/14.2.JPG" /&#62;





Adam Christensen en Pavilion Nordico (Adam Christensen at Pavilion Nordico)


Review about Adam Christensen´s
performance during the exhibition “Reacción a Islandia” curated by Gudny
Gudmundsdottir at Pavilion Nordico, Buenos Aires, Argentina. Published in Otra Parte Magazine, April 2019. The text was originally written in Spanish. This is an English translation of my own.


Español Revista Otra Parte / English PDF







&#60;img width="1066" height="1106" width_o="1066" height_o="1106" data-src="https://freight.cargo.site/t/original/i/9580060faebc8f2b3be275d2ca5e43c7dc2bbb3c35e802c0ebb074983cade0be/Adam-Cropped.jpg" data-mid="117508224" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/9580060faebc8f2b3be275d2ca5e43c7dc2bbb3c35e802c0ebb074983cade0be/Adam-Cropped.jpg" /&#62;






2018
Biodélica








Nota sobre la exhibición “Biodélica” de Florencia Rodriguez Giles en la galería Ruth Benzacar, Buenos Aires. La nota fue publicada en las revistas Otra Parte y Lobo Suelto, en dos versiones distintas con leves modificaciones. 



Review about Florencia Rodriguez Giles’s exhibition, “Biodélica”, at Ruth Benzacar Gallery in Buenos Aires, October 2018. Two versions of the review were published
in Otra Parte and Lobo Suelto Magazines with little variations. The text were originally written in Spanish, here you can find the English translation of Lobo Suelto’s version.



︎ Español Revista Otra Parte (versión corta) / Revista Lobo Suelto (versión larga) / English translation PDF


&#60;img width="2800" height="1867" width_o="2800" height_o="1867" data-src="https://freight.cargo.site/t/original/i/d086be2a1f16b164412cdc733b2ca7d89bea52c3c19f3c178376a2a9c37a231c/RodriguezGiles_Biodelica_salaRB4-1.jpg" data-mid="117508333" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/d086be2a1f16b164412cdc733b2ca7d89bea52c3c19f3c178376a2a9c37a231c/RodriguezGiles_Biodelica_salaRB4-1.jpg" /&#62;





Toda referencia que indica que esto es un simulacro arruina la experiencia /&#38;nbsp;

Every reference indicating this is a simulacrum ruins the experience




Nota sobre la exhibición “Ficción primitiva” de Mariana Telleria en la Galería Ruth Benzacar, Buenos Aires, Junio 2018, publicada en las Revista Otra Parte y Lobo Suelto con leves variaciones.


Review about Mariana Telleria’s exhibition “Ficción primitiva” (Primitive Fiction) at Ruth Benzacar Gallery, Buenos Aires, published in Lobo Suelto Magazine, June 2018. The text was originally written in Spanish. English translation of my own.






 ︎Español Revista&#38;nbsp;Otra Parte / Revista&#38;nbsp;Lobo Suelto / English&#38;nbsp;PDF



&#60;img width="5440" height="3582" width_o="5440" height_o="3582" data-src="https://freight.cargo.site/t/original/i/6f68e6823425b030d4260f8add1c146350af4e93bc0b2a0d9138f4f52ab0a42a/Telleria_FiccionPrimitiva_01.jpg" data-mid="117508387" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/6f68e6823425b030d4260f8add1c146350af4e93bc0b2a0d9138f4f52ab0a42a/Telleria_FiccionPrimitiva_01.jpg" /&#62;
In the name of the haptic



Text written about Maruki Nowacki’s poetry work “Ningún objeto demarca el tiempo” (No object to tell the time) &#38;amp; “La ciencia ficción es ingenua” (Science fiction is naive), 2018










&#60;img width="1076" height="712" width_o="1076" height_o="712" data-src="https://freight.cargo.site/t/original/i/70abae1872bcfc58255e00fb5bc5a774f40423a0c374f80ad4b1817659738f3f/Maruki-Nowaci_The-body-exists-only-to-verify-your-own-existence_2017_performance7min10sec.png" data-mid="117750212" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/70abae1872bcfc58255e00fb5bc5a774f40423a0c374f80ad4b1817659738f3f/Maruki-Nowaci_The-body-exists-only-to-verify-your-own-existence_2017_performance7min10sec.png" /&#62;

&#38;nbsp;&#60;img width="1080" height="715" width_o="1080" height_o="715" data-src="https://freight.cargo.site/t/original/i/047502a24a55020d855aa98758aff916868c56df56e2099bcf8f488f6b100980/Maruki-Nowaci_The-body-exists-only-to-verify-your-own-existence_2017_performance7min10sec_2.png" data-mid="117750213" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/047502a24a55020d855aa98758aff916868c56df56e2099bcf8f488f6b100980/Maruki-Nowaci_The-body-exists-only-to-verify-your-own-existence_2017_performance7min10sec_2.png" /&#62;


 





2017

Pulpo delator / Informer Octopus

Reseña sobre la exhibición “Pupo Delator...” de la artista Laura Ojeda Bär’s en Laboratorio Galería, Buenos Aires, Sept-Nov, 2017, publicada en la revista Lobo Suelto.Español - Lobo Suelto
Review about Laura Ojeda Bar’s exhibition, “Pupo delator...” at Laboratorio Gallery, Buenos Aires, Sept-Nov 2017, published at Lobo Suelto Magazine. This text was originally written in Spanish. Translation of my own. English PDF





&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/07ee47dd644ccd9f6643d00cf8fcb0b59b5485f1a4d8d6cfa544c0d75f8f3e97/WhatsApp-Image-2017-10-13-at-14.05.13.jpeg" data-mid="33755407" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/07ee47dd644ccd9f6643d00cf8fcb0b59b5485f1a4d8d6cfa544c0d75f8f3e97/WhatsApp-Image-2017-10-13-at-14.05.13.jpeg" /&#62;


  



Somatic experiencies of hyper-connection / 

Experiencias somáticas de hiper-conexión



This is an abstract from a larger essay written as my final dissertation for a masters in Contemporary Art Theory at Goldsmiths, University of London. It was supervised by Professor Irit Rogoff and delivered in September 2017. The whole essay remains unpublished. Here I uploaded the three texts inspired by Nicolás Gullota, Mercedes Azpilicueta and Florencia Vecino´s artworks.
Los siguientes son extractos de un ensayo más largo escrito como mi disertación final en la maestría de teoría de arte contemporáneo en Goldsmiths, Universidad de Londres. El mismo fue supervisado por la profesora Irit Rogoff y entregado en septiembre 2017. El ensayo completo aún no ha sido publicado. Aquí subo tres textos inspirados por las obras de Nicolás Gullotta, Mercedes Azpilicueta y Florencia Vecino.

“The Sound of the Machine”
 (El sonido de la máquina), by
 Nicolás Gullotta 
&#38;amp; “Almost Never” 
(Casi nunca) by 
Mercedes Azpilicueta
English - Español


“Un Mundo Raro” 
(A Rare World) by 
Mercedes Azpilicueta
English - Español


“Pose de ida”&#38;nbsp;
by Florencia Vecino





English - Español 



	2016-2017

Gullota - Zas


Living in a state of uncertainty of inhabiting a state
of plot. We just learn to believe what it
presents ourselves to be real






&#60;img width="1000" height="1592" width_o="1000" height_o="1592" data-src="https://freight.cargo.site/t/original/i/a492c2a994b68e3bfe5f7ad6c7fedabaa1964db98c7cc32d99725b9e278a683a/Nicolas-Gullotta_And-stones-can-move-themselves_2014.jpg" data-mid="117690378" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/a492c2a994b68e3bfe5f7ad6c7fedabaa1964db98c7cc32d99725b9e278a683a/Nicolas-Gullotta_And-stones-can-move-themselves_2014.jpg" /&#62;



Essay written in collaboration with artist Nicolás Gullotta between 2016 &#38;amp; 2017. This is a work-in-progress and remains unpublished as a whole. It was supervised by Professor Kodwo Eshun in the context of his seminar, Geopoetics, held at Goldsmiths, University of London, in the period 2016-2017. &#38;nbsp;
English PDF









early writings






2015
En Contra del Instinto. Referencias internas
Texto curatorial para la exhibición del Programa de Artistas de la Universidad Di Tella. Artistas: Iumi Kataoka, Jair Jesús Toledo, Dana Ferrari y Jazmín Saidman. Curaduría Renata Zas. Buenos Aires, Diciembre 2015

Español PDFEnglish version PDF&#38;nbsp;

&#60;img width="992" height="661" width_o="992" height_o="661" data-src="https://freight.cargo.site/t/original/i/acbcfa56f8999d8c3939ad746ed252d564ee78b36e7ad484359f0fc3ef5e2586/vista-14-sala-1_Saidman_ph-Dubner.jpg" data-mid="125832760" border="0" data-scale="83" src="https://freight.cargo.site/w/992/i/acbcfa56f8999d8c3939ad746ed252d564ee78b36e7ad484359f0fc3ef5e2586/vista-14-sala-1_Saidman_ph-Dubner.jpg" /&#62;
2015

Zona Hadal


Texto curatorial para la exhibición colectiva en la microsala del Palais de Glace, Buenos Aires, abril-mayo 2015.
 Participantes: Maria Crimella - Rosina Golaz - Laura Ojeda Bär - Renata ZasEspañol Catálogo 





&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/061598da12c0a24bd063f1cb1d77308c9d7bf5b7f91f5060c00af4ad7d3abdd1/zonahadal8.jpg" data-mid="125832957" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/061598da12c0a24bd063f1cb1d77308c9d7bf5b7f91f5060c00af4ad7d3abdd1/zonahadal8.jpg" /&#62;



2014
Inténtenlo en sus casas / Try it at Home
Texto curatorial para la exhibición Stine Marie Jacobsen. Curaduría Leandro Martínez Depietri &#38;amp; Renata Zas en Pasto galería, Buenos Aires, Julio 2014Curatorial text written for Stine Marie Jacobsen exhibition at Pasto Gallery, Buenos Aires, curated together with Leandro Martínez Depietri in July 2014Español PDF / English PDF




&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/2e8785fe80d5a40820bd639e6de1fcaafe4e2a17ebcf95f0845e2879eccfc056/IMG_2115.JPG" data-mid="125832981" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/2e8785fe80d5a40820bd639e6de1fcaafe4e2a17ebcf95f0845e2879eccfc056/IMG_2115.JPG" /&#62;






2014


4


Exhibición Carl Palm &#38;amp; Guido Yannitto en Club Cultural Matienzo, Buenos Aires, curada junto a Leandro Martínez Depietri en febrero 2014Curatorial text written for Carl Palm &#38;amp; Guido Yannito’s exhibitions at Club Cultural Matienzo, Buenos Aires, curated together with Leandro Martínez Depietri in February 2014

Español  PDF






&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a7dbdd56d8588cd46b870c234d2ece91f637916fcc6196f19650ed81648b9e21/photo-4-2.JPG" data-mid="125833042" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/a7dbdd56d8588cd46b870c234d2ece91f637916fcc6196f19650ed81648b9e21/photo-4-2.JPG" /&#62;





E T A P A&#38;nbsp; P U N K&#38;nbsp; R O C K&#38;nbsp;

2015
Pombo e Inés


Ensayo escrito para el seminario de escritura a cargo de Rafael Cippolini, Programa de Artistas de la Universidad Di Tella, 2015



Español PDF







&#60;img width="750" height="472" width_o="750" height_o="472" data-src="https://freight.cargo.site/t/original/i/bde4067cbc80656349a591dcdd7d23c10b0868188becf3483a06a1e4ba9e7946/2009.23.jpg" data-mid="125833376" border="0" data-scale="73" src="https://freight.cargo.site/w/750/i/bde4067cbc80656349a591dcdd7d23c10b0868188becf3483a06a1e4ba9e7946/2009.23.jpg" /&#62;


Vacuidad llena de Deleuze


Ensayo escrito para la clínica de obra a cargo de Diego Bianchi e Inés Katzenstein, Programa de Artistas de la Universidad Di Tella, 2015


Español PDF



&#60;img width="828" height="478" width_o="828" height_o="478" data-src="https://freight.cargo.site/t/original/i/b67a298739eb367296e6a3210e6691c44292fbf9a4cd451a60820ff24aca722d/artebarear.jpg" data-mid="125833377" border="0" data-scale="93" src="https://freight.cargo.site/w/828/i/b67a298739eb367296e6a3210e6691c44292fbf9a4cd451a60820ff24aca722d/artebarear.jpg" /&#62;







2013Vanguardia ditelliana&#38;nbsp;Reseña sobre la exhibición “Uno solo y varios lobos”, del Programa de Artistas de la Universidad Di Tella, Buenos Aires, Diciembre 2013, publicada en la revista Indiehoy



Español IndieHoy




&#60;img width="850" height="567" width_o="850" height_o="567" data-src="https://freight.cargo.site/t/original/i/224f83e6ca79e490d3ab72ee54e6344ce0afa9e2f6e447c60f48ec67a783a5a2/muestra_final_arte_50.jpg" data-mid="210381266" border="0"  src="https://freight.cargo.site/w/850/i/224f83e6ca79e490d3ab72ee54e6344ce0afa9e2f6e447c60f48ec67a783a5a2/muestra_final_arte_50.jpg" /&#62;






 

Supernova en Pasto Galería

Reseña sobre la exhibición de Laura Ojeda Bar en Galería Pasto, Buenos Aires, Noviembre 2013, publicada en la revista Indiehoy


Español IndieHoy


&#60;img width="2000" height="1545" width_o="2000" height_o="1545" data-src="https://freight.cargo.site/t/original/i/8fbb9443d450b1cde10f76c455e8acc20be273ce66793c4dc785405bf4e67d1c/Laura-O.-Bar--Amigos--150-x-200cm--oleo-sobre-tela--2013.jpg" data-mid="210381378" border="0"  src="https://freight.cargo.site/w/1000/i/8fbb9443d450b1cde10f76c455e8acc20be273ce66793c4dc785405bf4e67d1c/Laura-O.-Bar--Amigos--150-x-200cm--oleo-sobre-tela--2013.jpg" /&#62;






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Translations are a work in progressAll rights reserved







 





















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		<title>ASSESSMENT IN ART ACQUISITIONS &#124; ASESORÍA EN ADQUISICIONES DE ARTE</title>
				
		<link>https://renatazaszas.cargo.site/ASSESSMENT-IN-ART-ACQUISITIONS-ASESORIA-EN-ADQUISICIONES-DE-ARTE</link>

		<pubDate>Tue, 11 Feb 2025 12:41:52 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

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		<description>ASSESSMENT &#38;amp; ACQUISITIONS &#124;ASESORÍA &#38;amp; ADQUISICIONES

	Asesoría y acompañamiento en la adquisición de obras de arte. 
Charlas 1-1, propuestas personalizadas y visitas acompañadas a galerías.

Este servicio de asesoría se desprende de mi experiencia curatorial, el trabajo con galerías y la gestión en colecciones privadas.&#38;nbsp;
	

Artworks acquisition advisory and guidance.One-on-one sessions, personalized proposals, and accompanied visits to galleries.



This advisory service stems from my curatorial experience, my work with galleries, and my involvement in managing private collections.





&#38;nbsp;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/54b47ec87c7e30c5c76a8ec655103fc32e78084ace9ff14d8598edfaa57b9428/5D33E212-5308-47D2-BD9F-A4B63C792AE7.JPG" data-mid="226390327" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/54b47ec87c7e30c5c76a8ec655103fc32e78084ace9ff14d8598edfaa57b9428/5D33E212-5308-47D2-BD9F-A4B63C792AE7.JPG" /&#62;
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fde6d76524a23561cf1bcb14e70e524927fce772aa1a4b5c35b1d34b4495fc79/f0b0bb0e-21c4-46d5-9d0f-d0c74cc0d450-1.jpg" data-mid="245902596" border="0"  src="https://freight.cargo.site/w/1000/i/fde6d76524a23561cf1bcb14e70e524927fce772aa1a4b5c35b1d34b4495fc79/f0b0bb0e-21c4-46d5-9d0f-d0c74cc0d450-1.jpg" /&#62;
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Charlas / Talks 
2025 



	En noviembre 2025 me invitaron a participar del Open studio de Jessica Trosman, una actividad organizada por FADAM Jóvenes (Federación Argentina de Amigos de Museos), donde dimos una charla sobre coleccionismo desde una mirada real y cercana para jóvenes, junto a Bianca Andreussi (art dealer y gestora), Nicole Moisés (arquitecta, coleccionista y curadora).
	

In November 2025, I was invited to take part in Jessica Trosman’s Open Studio, an event organized by FADAM Jóvenes (Argentine Federation of Friends of Museums). Together with Bianca Andreussi (art dealer and manager) and Nicole Moisés (architect, collector, and curator), we gave a talk on collecting from a real and relatable perspective aimed at young audiences.







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2019
	En 2019 organicé la charla en la colección Worthalter: “Asesoría para curiosos en arte contemporáneo” en donde participaron coleccionistas de distintas generaciones y con distintos enfoques para contar su experiencia en el inicio de su incursión en la adquisición de obras.
	

In 2019, I organized the talk “Advisory for the Curious in Contemporary Art” at the Worthalter Collection, featuring collectors based in Buenos Aires, from different generations and with diverse approaches, who shared their experiences as they began engaging in the acquisition of artworks.





&#38;nbsp;&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/ecebdadc3989e9c69690459764cf9634783b06157082a062a42e5d859078f31b/IMG-20190808-WA0017.jpg" data-mid="226389375" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/ecebdadc3989e9c69690459764cf9634783b06157082a062a42e5d859078f31b/IMG-20190808-WA0017.jpg" /&#62;

Colección Worthalter, Buenos Aires, 2019


Para consultas escribinxs a
 ︎
renatazas.zas@gmail.com





Colecciones privadas 

&#124; Art Collections




	Gestión de colecciones
	

 Art collections’s management






&#60;img width="963" height="1280" width_o="963" height_o="1280" data-src="https://freight.cargo.site/t/original/i/0abed1a558cf72ea60069857902352e08c70c7d665cc74de48010670246bcde8/e3def995-eddd-4167-b711-e4539df40e49.jpg" data-mid="226392412" border="0" data-scale="45" src="https://freight.cargo.site/w/963/i/0abed1a558cf72ea60069857902352e08c70c7d665cc74de48010670246bcde8/e3def995-eddd-4167-b711-e4539df40e49.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b25f5bc90017936b799bb35574cd12859d57bb03ceab5a2f0a1b31fc4c8f5d9c/IMG_2710.jpg" data-mid="226392582" border="0"  src="https://freight.cargo.site/w/1000/i/b25f5bc90017936b799bb35574cd12859d57bb03ceab5a2f0a1b31fc4c8f5d9c/IMG_2710.jpg" /&#62;


	Servicios
Diseño y&#38;nbsp; producción de un inventario
Catalogación de las obras&#38;nbsp;Gestión con galerías y artistasDiseño y producción curatorial de una web privada de la colección



	

Services


Design and production of an inventoryArtworks cataloguingLiaison with galleries and artistsCuratorial design &#38;amp; production of a private website for the collection






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	<item>
		<title>WORK SESSIONS WITH ARTISTS &#124; SESIONES DE TRABAJO CON ARTISTAS</title>
				
		<link>https://renatazaszas.cargo.site/WORK-SESSIONS-WITH-ARTISTS-SESIONES-DE-TRABAJO-CON-ARTISTAS-1</link>

		<pubDate>Fri, 21 Nov 2025 20:49:33 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

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		<description>
	
&#60;img width="750" height="422" width_o="750" height_o="422" data-src="https://freight.cargo.site/t/original/i/ab34bd3cc1e7efc57f65d39461afc9268f82dcde15154274e0f4964ade3c9ad1/CAROLINA-SIMO---SESIONES-DE-TRABAJO-C-ARTISTAS-1.png" data-mid="241082006" border="0" data-scale="58" src="https://freight.cargo.site/w/750/i/ab34bd3cc1e7efc57f65d39461afc9268f82dcde15154274e0f4964ade3c9ad1/CAROLINA-SIMO---SESIONES-DE-TRABAJO-C-ARTISTAS-1.png" /&#62;
&#60;img width="250" height="445" width_o="250" height_o="445" data-src="https://freight.cargo.site/t/original/i/a1738fbb31f64cc230e4ffd60c0c9cdbd784f5b98a52b50088ceda78fd4a494b/SOLE-CHAVARRIA---SESIONES-DE-TRABAJO-CON-ARTISTAS-3.jpeg" data-mid="241081996" border="0"  src="https://freight.cargo.site/w/250/i/a1738fbb31f64cc230e4ffd60c0c9cdbd784f5b98a52b50088ceda78fd4a494b/SOLE-CHAVARRIA---SESIONES-DE-TRABAJO-CON-ARTISTAS-3.jpeg" /&#62;
&#60;img width="250" height="386" width_o="250" height_o="386" data-src="https://freight.cargo.site/t/original/i/23d0ed22b70aed13023883ea353e80e0e530f69305370a85989a3c01f6a79d34/JOAQUIN-HARRIS---SESIONES-DE-TRABAJO-C-ARTISTAS-2.png" data-mid="241081997" border="0"  src="https://freight.cargo.site/w/250/i/23d0ed22b70aed13023883ea353e80e0e530f69305370a85989a3c01f6a79d34/JOAQUIN-HARRIS---SESIONES-DE-TRABAJO-C-ARTISTAS-2.png" /&#62;
&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/794d197e934d10958cfbce31feb38c9fe2ceeebd4219b84cbadbd2bb78f25a42/IMG_1583.jpg" data-mid="241141322" border="0"  src="https://freight.cargo.site/w/1000/i/794d197e934d10958cfbce31feb38c9fe2ceeebd4219b84cbadbd2bb78f25a42/IMG_1583.jpg" /&#62;






dynamic: online or in person / dinámica: presencial &#38;amp; online









Do not judge your work, because you are the last one who can truly see it (with real eyes). What you see in it is not what gives it merit or takes it away. All the words that might serve to explain or praise it are false translations of what happens beyond sensations


Marcel Duchamp
	No juzgues tu obra porque eres el último en poderla ver (con ojos verdaderos). Lo que tu ves en ella no es lo que le otorga mérito o la desmerece. Todas las palabras que puedan servir para explicarla o alabarla son falsas traducciones de lo que ocurre más allá de las sensaciones
Marcel Duchamp

WORK SESSIONS&#38;nbsp; WITH ARTISTS 
	


These sessions aim to strengthen strategies, focusing on specific artworks or projects, and / or the artworks' presentation is presented, in relation to the artists’ career projection.
Each methology is curated according to the artist’s practice and objetives

Portfolio designApplications: open calls, residencies, prizesStatement editing and writing


 




	





SESIONES DE TRABAJO CON ARTISTAS 
	










Estas sesiones buscan fortalecer estrategias, enfocándose en obras o proyectos específicos, y la forma en que las obras son presentadas. También trabajamos en los textos, acompañando la proyección de carrera de cada artista.
Cada metodología es curada de acuerdo a la práctica del artista y sus objetivos

Diseño de portfolioAplicaciones a residencias, premios, otras convocatoriaEdición y escritura de statements








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	<item>
		<title>RESEARCH &#124; INVESTIGACIÓN</title>
				
		<link>https://renatazaszas.cargo.site/RESEARCH-INVESTIGACION</link>

		<pubDate>Sat, 21 Oct 2017 13:41:13 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

		<guid isPermaLink="true">https://renatazaszas.cargo.site/RESEARCH-INVESTIGACION</guid>

		<description>




RESEARCH 
Lightening the existential vacuum
	
Digital Anthropology 
Research on how our sensitive &#38;amp; empathic capacities mutate due to the ongoing evolution


	



 Antropología digital 



 Investigación sobre cómo mutan nuestras capacides sensibles y empáticas a partir de la permanente evolución digital






 


&#60;img width="559" height="822" width_o="559" height_o="822" data-src="https://freight.cargo.site/t/original/i/286c41e04199f99c29dc2c5cb87452f49102194ef16b2a87d860f639586e3e72/026.MERCEDES-AZPILICUETA-RIJKSAC.-OPEN--2015-PH.GJ.jpg" data-mid="9627897" border="0"  src="https://freight.cargo.site/w/559/i/286c41e04199f99c29dc2c5cb87452f49102194ef16b2a87d860f639586e3e72/026.MERCEDES-AZPILICUETA-RIJKSAC.-OPEN--2015-PH.GJ.jpg" /&#62;
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&#60;img width="548" height="822" width_o="548" height_o="822" data-src="https://freight.cargo.site/t/original/i/d324be86292017021873e92523ee23288794c58257fa280980a726497f7b4c51/027.MERCEDES-AZPILICUETA-RIJKSAC.-OPEN--2015-PH.GJ.jpg" data-mid="9627848" border="0"  src="https://freight.cargo.site/w/548/i/d324be86292017021873e92523ee23288794c58257fa280980a726497f7b4c51/027.MERCEDES-AZPILICUETA-RIJKSAC.-OPEN--2015-PH.GJ.jpg" /&#62;
&#60;img width="860" height="649" width_o="860" height_o="649" data-src="https://freight.cargo.site/t/original/i/0fdf283574ccc452ac9861f92bf7b52b9412eb9fc268b8e676e313c2e3d8a5c0/Nicolas-Gullotta--Sound-of-a-Macihne--2015--16-mm-Film-transfer-to-HD--Color--sound--1-min.-loop.jpg" data-mid="9627961" border="0"  src="https://freight.cargo.site/w/860/i/0fdf283574ccc452ac9861f92bf7b52b9412eb9fc268b8e676e313c2e3d8a5c0/Nicolas-Gullotta--Sound-of-a-Macihne--2015--16-mm-Film-transfer-to-HD--Color--sound--1-min.-loop.jpg" /&#62;
&#60;img width="1024" height="566" width_o="1024" height_o="566" data-src="https://freight.cargo.site/t/original/i/3f08b1f2fbe5238a814c82edbf51b6decf0bdf4e47bc06e5c4a83ca23ca06d0e/Mercedes-Azpilicueta--Almost-Never--video--3min-34-seg--2016.png" data-mid="9627985" border="0"  src="https://freight.cargo.site/w/1000/i/3f08b1f2fbe5238a814c82edbf51b6decf0bdf4e47bc06e5c4a83ca23ca06d0e/Mercedes-Azpilicueta--Almost-Never--video--3min-34-seg--2016.png" /&#62;


images courtesy of Mercedes Azpilicueta 
&#38;amp;

 Nicolás Gullota&#38;nbsp;



	

Lightening the Existential Vaccuum is a research related to digital anthropology and how our sensitive &#38;amp; empathic capacities are mutating due to the ongoing digital evolution


	

Iluminando el vacío existencial es una investigación sobre antropología digital, relacionada a cómo nuestras capacidades sensibles y empáticas mutan a partir de la permanente evolución digital











 
	

PUBLICATIONS / PUBLICACIONES
2023
Untitled. After Pandemic

Text written on digital anthropology and the mutation of our sensitive &#38;amp; empathic capactities due to the on-going digital evolution, after 2020 Pandemics.
English MEDIUM



2020



Gilles Jobi,_VR_I _2018 - now

Text written in association with ODIA (Observatorio de Derecho Informático Argentino . Observatory of Argentinean Informatic Law)


About Gilles Jobin´s work exhibited in Istituto Svizzero, Rome, in 2018
English MEDIUM



2019

Fibers. Skin, Voice and Earth. Written between February and July 2019Published by Droste Effect Magazine in July 2019 Editor in chief: Vincenzo Estremo. Project manager Matilde SolignoEdited by Matilde Soligno. 


English Droste Effect 20 / Español PDF 





How to Make Sense of a Life Surrounded by Cognitive Mining?Text written for Veronika Draexler´s catalogue Post-Everything Ritualism and Hypernaturality for her exhibition at GEDOK Galerie, Munich, October 2019


About Veronica Draexler´s work for the exhibition Hypernaturality (2019), printed and published for by GEDOK Munich





English Catalogue  /&#38;nbsp; Español PDF




2017

Lightening the Existential Vaccuum


 Introduction to my Dissertation for my master in Contemporary Art Theory at Goldsmiths
Link to Academia.edu 


Somatic experiences of hyper-connection This is a text adaptation from a longer written Dissertation titled Lightening the Existential Vacuum, delivered at Goldsmiths, University of London (Department of Visual Cultures, tutored by Irit Rogoff, 2017). The investigation is still on-going.

“The Sound of the Machine” (El Sonido de la Máquina), by Nicolás Gullota &#38;amp; “Almost Never” (Casi Nunca) 
English - Español


“Un Mundo Raro” (A Rare World) by Mercedes Azpilicueta
English - Español


“Pose de ida”, by Florencia Vecino





English - Español









social media researchINSTAGRAM PROJECTS
I have developed different projects on Instagram according to what I have been investigating since 2015&#38;nbsp;


&#60;img width="306" height="408" width_o="306" height_o="408" data-src="https://freight.cargo.site/t/original/i/899333322274022d95552077dc02a0ae22cb6a815a0f971d4999e87825a70e57/1596987721912.jpg" data-mid="156081679" border="0" data-scale="10" src="https://freight.cargo.site/w/306/i/899333322274022d95552077dc02a0ae22cb6a815a0f971d4999e87825a70e57/1596987721912.jpg" /&#62; &#60;img width="1152" height="1152" width_o="1152" height_o="1152" data-src="https://freight.cargo.site/t/original/i/475ddb61dc0f346b492546c728ee119c2951acec83034630790f0463471e5693/vulcanic_antimillenial.jpeg" data-mid="156081125" border="0" data-scale="13" src="https://freight.cargo.site/w/1000/i/475ddb61dc0f346b492546c728ee119c2951acec83034630790f0463471e5693/vulcanic_antimillenial.jpeg" /&#62; &#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/ee01578dac518542ba6c2e59b4f35f706ae9a08de05fe643a1920fda1fceb914/IMG_0752.JPG" data-mid="5731137" border="0" data-scale="18" src="https://freight.cargo.site/w/1000/i/ee01578dac518542ba6c2e59b4f35f706ae9a08de05fe643a1920fda1fceb914/IMG_0752.JPG" /&#62;




2022-current 



contemporary art &#38;amp; research portal
 art.is.rz

2018-current 
a politics of re-sensibilization on social media

(now suspended)

vulcanic_antimillenial
2017-2018 
physical research about psychopathologies of cognitive capitalism &#38;amp; external projection 
(now suspended)
 renatazas.inc






research part I



Master’s Dissertation.
Contemporary Art Theory

Goldsmiths University of London, Department of Visual
Culture
September 2017, 
Tutor Irit
Rogoff 



&#38;nbsp;


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/edea07fc5bd58454dfbfc9ad517e31aed5ea06e8ad202b8c5a21f4436e862e07/Pose-de-ida-3.jpg" data-mid="9627972" border="0"  src="https://freight.cargo.site/w/1000/i/edea07fc5bd58454dfbfc9ad517e31aed5ea06e8ad202b8c5a21f4436e862e07/Pose-de-ida-3.jpg" /&#62;

Image: courtesy Florencia Vecino









“Our time has grown short, narrow,
contracted, so the stimulus hardly translates into desire, and desire hardly
translates into conscious contact, and contact hardly translates into
pleasure"

Franco ‘Bifo’
Berardi, Futurability, 2017
From a curatorial perspective I am
interested in experimenting with exhibition formats that engage different
audiences whose sensitivity and attention are being shaped by the overflowing
effect of information in contemporary culture. Today´s paradigm brings a
sensation of time acceleration intensified by the permanent co-habitation in
Cyberspace, transforming the way citizens process information, as well as the
time for observing and thinking through cultural practices.&#38;nbsp; During 2016-2017 I’ve been developing an
academic individual research which raises questions around this subject matter.
This thinking process was conceptualised through the embodiment of artworks by
Argentinean artists Nicolás Gullotta 

 (b.
1983 in Buenos Aires. Based in
Buenos Aires).

,
Mercedes Azpilicueta&#38;nbsp;

(b.
1981 in La Plata, Buenos Aires. Based in Amsterdam).

 and
Florencia Vecino 

 (b.
1985 in Tandil,
Buenos Aires. Based in Buenos Aires)

.


Within the context of digital
anthropology and the emergency of a new subjectivity, I was
interested in the strength that Azpilicueta and Vecino’s
performances had, as tools to mobilise the mind and the body of contemporary
automatized individuals. At the same time, I thought of Gullotta´s and Azpilicueta’s
videos as subtle mental strategies directed to the viewer with the same
purpose. These are practices that stand as alternatives of reflection upon what
is referred as the conditions of hypercomplexity
(Franco ‘Bifo’
Berardi), including time perception, the biorhythm, algorithm
and the imperatives of self-design, among other themes. In this context of
visual and semiotic oversaturation, the mind and the body are disentangled,
making an impact at an individual and a social level. As a wakeup call, Azpilicueta, Gullotta and Vecino’s
works make use of the potency of the body as disrupting gestures against all
kinds of mechanization. 


From
the understanding of this big and complex panorama I embedded myself in media
theory, sociology and philosophy, to contextualise how
algorithmic culture affect the global subject. Moreover, I have also tried to
think of the differences in which the global and the local intersect along this
paradigm, setting some hypotheses which I would like to develop further in my
next research. Overall, my analysis on the artists’ works highlighted the
potency of the body in the Internet Era, and speculated around local
differences between Latin American, Central Europe and the U.S. Departing
from a body of artworks by Contemporary Argentinean artists, I raised questions
related to the contemporary human condition embedded in digital life:
psychopathologies, the cancellation of dead time, the characteristics of the
new subjectivity, the de-activation of the potency of the body.






On-going investigation. The second part of the investigation has been developed between Buenos Aires, Berlin, Torino and Milan. 





Text:&#38;nbsp; Renata Zas

Only available in English ATM





	





















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EXERCISE IS DAILY












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		<title>CURATORIAL SERVICES FOR COMPANIES &#124; SERVICIOS CURATORIALES PARA EMPRESAS</title>
				
		<link>https://renatazaszas.cargo.site/CURATORIAL-SERVICES-FOR-COMPANIES-SERVICIOS-CURATORIALES-PARA-EMPRESAS</link>

		<pubDate>Mon, 10 Jul 2023 23:57:25 +0000</pubDate>

		<dc:creator>rena.zas</dc:creator>

		<guid isPermaLink="true">https://renatazaszas.cargo.site/CURATORIAL-SERVICES-FOR-COMPANIES-SERVICIOS-CURATORIALES-PARA-EMPRESAS</guid>

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	CURATORIAL SERVICES FOR COMPANIES
	

SERVICIOS CURATORIALES PARA EMPRESAS







A - LINEwork in progress - landing website


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	A-LINE is a new international platform providing high-quality contemporary content for passionate, creative enthusiasts around the world. With a diverse and forward thinking, seeking to explore and connect the dots between the most exciting contemporary artists, electronic music pioneers &#38;amp; fashion visioners from today and tomorrow. A-LINE provides its members with exclusively and selective content by an experience and knowledgeable team, freshly updated content about the major events in the Art, Fashion &#38;amp; Music world, while also including the possibility of being assesed by its concierge team in terms of art acquisition, legal support for your collection, insurance, transportation, and other services. 
As content writer I have collaborated with A-LINE in the selection of contemporary art projects in Buenos Aires, Mexico (CDMX and surroundings) and Brazil for the platform.work in progress&#38;nbsp;
	

A-LINE es una plataforma internacional que provee contenido sobre arte contemporáneo, música y diseño en todo el mundo. Busca ofrecer una experiencia personalizada para sus miembros, ofreciéndoles contenido actualizado sobre distintas escenas creativas alrededor del mundo, incluyendo entrevistas y videos. También ofrece un servicio de consultoría, asistencia curatorial, asistencia legal y para seguros y transportes de obras de arte y otros temas relacionados a la gestión de colecciones privadas. Como escritora de contenido participé con la selección de proyectos de arte contemporáneo en Buenos Aires, México (CDMX y alrededores) y Brasil para la plataforma.
proyecto en proceso







RSM&#38;nbsp;

	Artworks selection from the contemporary art collection hanging at RSM Argentina offices in Buenos Aires. Writing and edition of texts inspired on the artworks for the company’s social media.&#38;nbsp;
	

Selección de obras de la colección de arte contemporáneo que cuelga en las oficinas de la compañía RSM Argentina. Escritura y edición de textos inspirados en las obras de arte para las redes sociales de la compañía.




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Alberto Passolini - txtSantiago Poggio - txtMatías Duville - txt Pablo Suárez - txtTobías Dirty - txtRosana Schoijett - txt Tobías Dirty - txt Ana Clara Soler - txtCotelito - txtMáximo Pedraza - txt Belén Boeris - txtLido Iacopetti - txtEstudio Luisita - txt Diego Figueroa - txtSebastián Mercado - txtDiego de Aduriz - txtValeria Maggi - txtFederico Lanzi - txtNicolás Mastracchio - txtCarla Grunauer - txt

RSM Argentina on social media -&#38;nbsp;IG - Linkedin - Twitter&#38;nbsp;




sobre

RSM Argentina




&#60;img width="1143" height="927" width_o="1143" height_o="927" data-src="https://freight.cargo.site/t/original/i/439e48a31f6e6b4c5d900714e824cf563e9e3866c9fcad419deac0fe2acf6ca4/unnamed.png" data-mid="209936338" border="0" data-scale="14" src="https://freight.cargo.site/w/1000/i/439e48a31f6e6b4c5d900714e824cf563e9e3866c9fcad419deac0fe2acf6ca4/unnamed.png" /&#62;

contact here / aquí contacto
	


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